michael arndt star wars

Having now seen Star Wars: The Force Awakens, the focus isn’t as clear-cut as that. Screenwriter Michael Arndt described Sam as “pure charisma” and the early concept art showed him as a young white man. Michael Arndt may share a screenwriting credit on Star Wars: The Force Awakens, but what we know about his script paints a picture of a very different Episode VII than what we got. Check out our 2020 Release Schedule to keep track of all of the big movies coming next year. See What Star Wars Looks Like Recast With Rock Stars To get a sense of what kind of pressure and complexity might be going on behind the scenes, just consider Arndt’s experience working on … He won the Academy Award for Best Original Screenplay for his work on Little Miss Sunshine and was nominated for the Academy Award for Best Adapted Screenplay for Toy Story 3. Other works of note Little Miss Sunshine, Michael Arndt, Screenwriting, Star Wars, The Graduate As with life, beginnings are easy but endings are hard. According to Lawrence Kasdan, when he came aboard, they had nothing, and it has been reported that Michael Arndt had failed to produce a single full draft of the script. According to Michael Arndt, he thought that the story was about bringing Harrison Ford’s Han and Carrie Fisher’s Leia back together. Michael Arndt is an American screenwriter. Michael Arndt, Writer: Star Wars: Episode VII - The Force Awakens. Michael Arndt, who wrote the brilliant Toy Story 3, has even admitted to struggling with certain aspects of the script. But that was a change made by J.J. Abrams. It wasn’t enough to just make a new Star Wars movie; Disney and Lucasfilm had to resurrect a cinematic franchise that was dormant for a decade, return it to its former glory following a creatively disappointing Prequel Trilogy, and above all else, craft a fitting continuation of the medium’s most iconic story. Biographical information Lucasfilm actually brought Michael Arndt on board to write treatments for all three films of the Star Wars Sequel Trilogy, working with George Lucas and consultant Lawrence Kasdan … Before J.J. Abrams and Lawrence Kasdan (Star Wars: Episode V - The Empire Strikes Back, Star Wars: Episode VI - Return of the Jedi) took over writing duties on The Force Awakens, Michael Arndt (Toy Story 3) was working on its script as soon as Disney acquired Lucasfilm and its intellectual properties with the plan of bringing back the film franchise. Michael: Obviously, there’s no right or wrong way to tell a story. That’s what makes the period in Star Wars history from around 2012-2015, involving the genesis of Episode VII and the first chapter of the Sequel Trilogy, particularly fascinating. So Michael Arndt’s final vision for Star Wars: The Force Awakens may not have included more Luke, but at one point it did, and it’s hard not to imagine how things might have been different if that original vision had held. In addition, the trailers have shown Rey and friends approaching the wreckage of the Death Star, as well as her and Kylo standing in the Emperor’s throne room. Of course as we know, his vision is not the one that made it to the screen in 2015. Little Miss SunshineToy Story 3 Surface Laptop Go; Surface Pro X; Surface Go 2; Surface Book 3 Han living may have also made Kylo’s struggle with the light more about him and his parents than what it has become with him and Rey. Arndt, repped by Verve, is described as a huge Star Wars fan and well-versed in the lore of the mythology. One of the things that Michael Arndt has admitted to struggling with was Luke Skywalker’s role in the movie. Michael Arndt will write the screenplay for Star Wars: Episode VII. And Rey’s new mentor Han dying was an obvious parallel to Luke’s mentor Obi-Wan dying in A New Hope. In the video, the Academy Award winning screenwriter explores how great endings work with a close analysis of the climaxes of STAR WARS, THE GRADUATE, and his own screenplay, LITTLE MISS SUNSHINE. In his early drafts, Rey’s home is destroyed, leading her to go off on the road and meet Luke Skywalker, but it just never worked. When J.J. Abrams took over, he supposedly wanted to focus more on the original trio to give them a fitting sendoff. Han Solo would have been back in Episode VIII and we would have had the chance to potentially see the original trio onscreen together in that middle chapter, which is something many have lamented the Sequel Trilogy has missed out on. Star Wars: The Force Awakens screenwriters J.J. Abrams, Lawrence Kasdan, and Michael Arndt talk about trying to find a proper storyline for the film. Of course, if Michael Arndt’s script had been used, and Rey and Luke met up earlier, it would have fundamentally altered the direction of Episode VIII and probably that film's controversial approach to Luke's character. The biggest reported difference between Michael Arndt’s Star Wars: Episode VII and what we got with Star Wars: The Force Awakens is the film’s character focus. He has since been supplanted by J.J. Abrams and Lawrence Kasdan.Arndt reportedly drafted a treatment of … You might describe his look as a … In the trailers for Episode IX, we see Rey and Kylo Ren in battle and destroying what appears to be Darth Vader’s helmet. In a brief post on Starwars.com, the company said that Arndt, who wrote the screenplay for Hu… Scheduling issues were also cited at one point, but it seems more likely that the time crunch and the all-powerful creative differences played more of a role. His life goal is to walk the earth, meet people and get into adventures. 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